Gibson Les Paul Studio Electric Guitar--Just Pure Les Paul Introduced nearly 25 years ago as a guitar for the studio musician, the Les Paul Studio has become one of the most desired Les Paul guitarss for its tremendous harmonic and sonic capacities, and is coveted by musicians from all genres of music. Now we have the Gibson Les Paul Studio Electric Guitar in Worn Cherry Red. No frills, no nonsense. The Les Paul Studio gives you all the great tone and sustain you expect from a set-neck Les Paul but without all fancy cosmetics. Just pure Les Paul.  Nothing but tight, seamless fittings and superior workmanship. | Fast and Comfortable Rounded Neck Profile
Gibson's traditional rounded neck profile (which graces the neck of each Les Paul Studio Faded) is a thicker, rounder profile, emulating the neck shapes of the iconic Les Paul Standards of the late 1950s. Each neck is machined in Gibson's rough mill using wood shapers to make the initial cuts. But once the fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means each neck ends up with ever-so-subtle differences that make each one as exceptional and unique as the next. Gibson's Burstbucker Pro Pickups
Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. Those Burstbuckers--Types 1, 2, and 3--successfully captured the subtle variations of true, classic humbucker tone with historically "unmatched" bobbin windings and Alnico II magnets. In 2002, Gibson followed this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which gives you slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils true to the original PAFs, which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback. As with all Gibson pickups, every part is precisely manufactured at Gibson USA in Nashville, Tennessee, insuring tight, seamless fittings, and superior workmanship.  Features classic Les Paul trapezoid inlays. | Classic Les Paul Design
Rosewood fingerboards and trapezoid inlays have been a mainstay feature on Les Pauls ever since the models introduction in the 1950s, and the fingerboards on Gibson's Les Paul Studio Faded are no different. They are constructed from the highest grade rosewood on the planet. Each piece of wood is personally inspected and qualified by Gibson's team of skilled wood experts before it enter the factories to be fitted onto the necks. The resilience of this dense and durable wood makes these fingerboards extremely balanced and stable, and gives each chord and note unparalleled clarity and bite. Additionally, the 12-inch radius of the fingerboard provides smooth note bending capabilities and eliminates "dead" or "choked out" notes. The traditional trapezoid inlays are made of figured acrylic, and offer a classic "pearl" look. They are inserted into the fingerboard using a process that eliminates gaps and doesn't require the use of fillers. |
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 Yes - its worth the price |
| Review Date: October 7, 2004 |
| Reviewer: DaveM, Spain |
| Just the facts: Paid the extra for the expedited delivery. Guitar arrived in hard shell case packed in original Gibson cardboard box - on time and no damage. Some buzzes coming from a and e strings, haven't done any tweaking yet. Fret work seems even, but a bit sharp on the ends. Neck feels just right - not too fat. Sound is classic Les Paul. No inlay on headstock - just a sticker. I would buy another one. |
Beautiful and Versatile -- Great sound at a great price
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| Review Date: March 9, 2008 |
| Reviewer: Nessander, |
I play mainly bluesy rock (a little bit of jazz, no metal) and was looking to buy a second electric guitar, and went into my local guitar shop to try this out. I wasn't particularly looking for a Les Paul, but after trying out a few other guitars (some of the Joe Satriani Ibanez's) I saw this lying around and was intrigued by the natural wood look. The look is a matter of taste -- I've seen people note it as a negative or as a positive. You have to check it out and see for yourself. Personally, I think it looks very cool and classy. Both my mother and wife thought it looked great, too, but, as I said, it's a matter of taste.
Anyway, I picked it up and the first thing I noticed is that it is a lot lighter than the standard Les Pauls. I liked this, because I tend to find them a bit too heavy for my liking. I plugged it into a VOX AC 15 tube amp and proceeded to sit there for over an hour playing. The guitar has great tone and a variety of sounds, which it achieves with good quality Gibson burstbucker pickups. I really love the sound of this guitar when played through the VOX -- it can be really mellow and silky, fat and chunky, or bright, depending on how you adjust the settings. I find all three of the switch settings (rhythm, mixed, and lead) to be useful. The other nice thing is that since you have four knobs -- two volume and two tone (one for each humbucker) -- you can set them completely separately and then use the switch to go from (for example) a lower volume rhythm sound to a higher volume lead sound just by flipping the switch. This is pretty cool. My other electric only has one volume switch, so I can't do that.
After surfing the web for reviews of this guitar (which are overwhelmingly positive), the only negative comment I saw (except for people who don't like the natural wood look, which is a matter of taste) had to do with possibly shoddy quality control at Gibson. One reviewer said he tried 9 of these guitars and each was set up differently. Knowing this, I asked to try both of the 2 guitars that were at the shop. I looked at them carefully, and they both seemed set up very similarly, and both played very well right out of the box. The action was really low, which made for great playing, but a little bit of buzz. Since this didn't come out when playing through an amp, though, I decided not to adjust it to make the action higher. In short, this guitar is very playable, and felt great in my hands.
Basically, the sound is classic -- good for blues, jazz, bluesy rock, and hard rock, but probably not metal (not sure -- I don't play it so I wouldn't know). Despite being a bit lighter than the standard Les Paul models, this guitar has great sustain like all other Les Pauls. If you are interested in a Les Paul guitar, this is a great option for the under $1K category. If you can afford the more expensive models, then go for it, but this does not in any way feel like a cheapened "poor man's" Les Paul. It has solid construction and good quality components.
The only other possible place where they might have cut corners on the components is the tuners, which may not be all that great, but you can buy a better set for $60 and switch them out. I'm playing mine for a while first to see how they go, and if they're not that good, I will switch them. If so, that would be a very minor flaw in what is a really great guitar and an unbeatable price. Also, it comes with a hard case (this might be changing soon, not sure) which is worth about $150, making the price even better. If you're shopping in this category, definitely check one out. I decided to pick up the VOX 15 too and they're sounding fantastic together!
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Incredible Guitar - Great Value
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| Review Date: March 7, 2008 |
| Reviewer: Peter Marone III, San Diego, CA |
I've played guitar on and off since my teen years. As a fan of 60s rock, especially Jimmy Page, I've always wanted a Les Paul. I wanted to delve back into guitar this year, and started looking at Epiphone Les Paul models until I found this for less money.
The guitar lacks some of the frills of a normal Gibson LP, but it does not sacrifice quality or the classic LP feel and sound. A nice, solid mahogany body provides full LP sound and sustain for days (ok... maybe just a day or so!). The 50's style neck feels very good, and with a polishing or two the neck becomes very quick.
The cherry, chrome and black finish is very sharp and gives the LP a unique look. As with the neck, the body feels a bit dry/rough upon delivery, but a quick polishing or two smooths everything out.
My last electric guitar was an 80s Ibanez (in the 80s). I can still remember the feel of that guitar, and I'm blown away with the feel of the Les Paul. It's a heavier, solid guitar that just "feels" right to me when I'm standing or sitting. A wide range of sound available from the 3 way pickup switch and individual volume/tone controls.
I might be a bit biased as it's been almost a 20 year dream for me, but if you are looking for s Les Paul as a first guitar or on a limited budget, this is the way to go.
I only have one gripe - the strings were cut pretty short - sometimes just barely a single wind on the tuner post - and they didn't keep tune very well. I've since replaced the strings and I'm not experiencing such a problem with tuning. |
Excellent guitar
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| Review Date: January 23, 2010 |
| Reviewer: HPaul, Caracas |
| I bought this guitar yesterday and I must say it is AMAZING... I own a Fender Strato and an Ibanez RG220... all of them are cool, but the Gibson Les Paul Studio is the best of them.. great sound, very light and very comfortable to play. The best of all: Its VERSITALITY. You can play any kind of music with it and it will sound great. The guitar has great acoustic, which enhances sustain and has a very clean and warm sound. When I bought mine it came with a Gig Bag... I would've prefered the hard case, but the gig bag is good, so in the end is is a great product. |
Great guitar!
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| Review Date: December 10, 2007 |
| Reviewer: Jeremy D. Oestreicher, New York, NY |
| So I've been playing guitar for a while now and I couldn't be happier with this axe. I had to adjust the truss rod, but everything went great from there. I like the feel of the fretboard and the pickups are AMAZING. I highly recommend this product. |
Awesome guitar
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| Review Date: July 22, 2010 |
| Reviewer: hatesthis, |
The Les Paul studio is an excellent replacement for the standard. I love mine and can barely tell the difference in feel from my way more expensive Les Paul Custom. The tone is great, still not as good but I guess you get what you pay for. All in all I totally recommend this to anybody who can't afford a better Les, it's definately worth it.
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